So critique groups. Good or bad? It's like asking if publishing is good or if a book is good. Of course the answer's yes and no. Like everything else. It always depends on the people in them. And just like everything else, what you get out of them is largely dependent on what you bring to them. Know someone who
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Dearest Author, I've been thinking about worth lately. What's your story worth? At a recent writers conference I taught a workshop on how I saw publishing changing. Modern publishing, the only time in history when we've had separate "markets" for books, has begun to fracture and redistribute. I've shared several times about how The Shack has shifted things. It isn't
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From an editor's perspective, writers conferences can be a mixed bag. For those of you planning to attend one in the near future, or wondering whether you should, let me offer some dos and don'ts that apply to any writer's conference you might attend as an aspiring author… Do know your genre. Everything may be expanding into new genres and
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I don't recall learning to read, but I know I was still pretty young when I first started retreating to my room to read. I remember Robinson Crusoe, The Chronicles of Narnia, and A Wrinkle In Time, looking up words in my paperback dictionary, and basically sealing my fate as a book nerd for the rest of my life. It
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Welcome back, everyone. Hope you had a fabulous Easter. Being a book editor is such a strange job. It has enormous up sides: not requiring me to, say, buy a lot of expensive equipment or be out in extreme elements. I don't have to dig through anything too revolting. At least not physically. But still, it has its challenges. Chief
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