“Language exerts hidden power, like the moon on the tides.”
– Rita Mae Brown
Writing is editing. You know that. You accept that.
But do you love it? I’m serious. It’s easy to love writing, even when you don’t. But editing? Who loves that?
And yet, if you plan to continue your career as a writer, it may be time to learn.
When people ask me about editing as a career, I often ask them this question: Do you like language? I think the editor is someone who has made that transition from appreciating language as a spectator, to not only enjoying it as a player, but now engaging the grand game of words as a coach, a manager, or even a referee.
Editing isn’t merely about grammar rules and knowing the parts of speech. It isn’t just how best to arrange the words for maximum impact. It’s all of those things, but it also involves a deeper understanding of human nature, the subtle preferences of readers and especially the particular interests and needs of the specific audience one is speaking to. Anyone can spout off rules about verb tense agreement or dangling modifiers, but the more advanced skill is knowing why these things matter–and why and when they don’t.
– Steven Pinker
Last week, I talked about how to overcome knee-jerk reactions to strong language as a way to employ words more powerfully. My firm conviction is that wielding language is a power–quite literally–and possibly, the greatest power we writers have. And as such, I believe we’ve got to start learning to risk speaking dangerously to reclaim and renew our listeners’ understanding of language. Frankly, even a cursory look around proves there’s no time for skirting this issue any longer.
So this week, I want to go straight to an idea that the invisible work of editing is arranging words to reveal readers to themselves.
A polished sentence, paragraph, chapter, or book conveys a clear message, an intentional revelation. And the way to having that effect is a proper edit which carves out truth, truth that heals readers’ misconceptions—about the world, themselves, God and others.
Too many people, and I believe Christians especially, either don’t understand or don’t believe that. And I don’t know why. (My basic theory is that some folks think only God’s “original revelation” is the unaltered truth, and therefore editing is unnecessary and/or damaging. Can’t God inspire an idea and also grow and inspire us further through the editing process?)It’s true. Editing isn’t always easy—in fact, it rarely is. But how else do you expect to help others find themselves in a story so new yet so familiar, and experience that though somehow they forgot, they’ve always known this incredible revealed truth?
It’s always surprising and thrilling to watch a book take shape out of the clay. The frustration, the hard work, the struggle, it’s all eventually forgotten. But the beauty and power of a well-crafted story or well-stated idea remains.
– Ludwig Wittgenstein